Yes, finally, the best, but, really, what does "best" mean? It's kind of relative to the one giving the opinion. The matter of choosing the best movie of the year is additionally complicated by the fact that not all the entries are in yet. Most noteworthy from these concerns, we have to hedge our bets a little, since we still haven't seen part 2 of The Hobbit.
Jumping the gun on the Hobbit though probably isn't such a leap of faith. Since it was made pretty much simultaneously with part 1, it's pretty safe to assume it will replicate the former's same pros and cons: to be precise, more fresh humor than we'd anticipated, but a bit too much in the action thing. One of the ingredients of LOTR's success was the sure handed balancing of action adventure and introspection (all that soul searching, battling the evil within, stuff). Sadly, the initial installment of the Hobbit strayed too far toward the action end of the spectrum. Who knows, though, perhaps the balance has been restored in the editing room. We will see.
Otherwise, though, the field is pretty well revealed. Considering what's been already released, and screenings achieved by our secret sources, ahead of the general population, confidence oozes as we declare for the best movies of 2013 - or, rather, the best movie! Some will suggest that the decision is made by the people. They have cast their ballots with the laying down of their hard earned money.
The winner in this category would appear to be Iron Man 3, which this morning Box Office Mojo had listed as pushing $410 million Shekels gross. This fact, I confess, blows my mind. Who would have predicted that the star of The Pick-Up Artist and Two Girls and a Guy, or the purveyor of Larry Paul from the Ally McBeal show, would wind up being the superhero star of a megabuck successful action franchise? Not I. That's almost as weird as Tobey Maguire being the superhero star of a megabuck successful action franchise. Almost as weird.
But, no, this is no democracy here at The Best Movies of 2013. We're going to evaluate on something more than merely bums in seats. It's quite possible that the best movie of the year actually was the delightful and intriguing Sound City. This documentary tells the story of one of the best kept secrets of both American rock and the San Fernando Valley. Tucked away discreetly amid rows of ramshackle warehouses, this extraordinary studio, on the strength of its technical excellence would win its way into a legendary place within the subculture of American pop and rock stars.
Those ranging from Fleetwood Mac to Neil Young, to Nirvana and Metallica made the trek to the studio so far off the beaten track. The film tells the story of the studio through the eyes of those whose music was so influenced by its contribution to the contemporary music sound. This is really a great movie experience. However, really, we're not going to be so namby-pamby as to name a doc best movie of the year. Come on, now.
No, rather, we're leading the charge, ahead of the curve, throwing down the gauntlet: declaring that soul scorching flick, Le Week-End as our the best movie of the year. Don't freak out, it's not some obtuse foreign film (that would be as bad as naming a doc best movie). The Frenchified title points to the film's location, in Paris. It's there that we find a British couple in the throes of marital ennui. They are fantastically portrayed by still astoundingly gorgeous Lindsay Duncan and the painfully dowdy Jim Broadbent.
I really don't want to say too much about the story and its exquisite dialogue. It's so full of nuanced and subtle cruelty that it really has to be experienced firsthand to be appreciated. I'll just say, if you enjoyed Richard Linklater's moving Before Sunset series, try to imagine the last days of Jesse and Celine's deteriorating relationship, when all the clever quips and observations have degenerated into passive aggressive jousting. This is really something special.
Special mention too has to be made of the wonderful supporting contribution of Jeff Goldblum. He's becoming a master of these colorful supporting roles later in his career. This still isn't up to the spooky, darkly menacing performance in Igby Goes Down, but it's still mighty fine. It is a performance for which the tall guy will long be remembered.
So, that's our story and we're sticking with it. There were some other really good movies in 2013, which have received a well deserved not. It is though Le Week-End, dark and brooding, funny and cruel, scorching the soul and maybe welling up just a tear or two, which is our pick for the very best movie of 2013. And, if you think we're wrong, well, tell us why.
Jumping the gun on the Hobbit though probably isn't such a leap of faith. Since it was made pretty much simultaneously with part 1, it's pretty safe to assume it will replicate the former's same pros and cons: to be precise, more fresh humor than we'd anticipated, but a bit too much in the action thing. One of the ingredients of LOTR's success was the sure handed balancing of action adventure and introspection (all that soul searching, battling the evil within, stuff). Sadly, the initial installment of the Hobbit strayed too far toward the action end of the spectrum. Who knows, though, perhaps the balance has been restored in the editing room. We will see.
Otherwise, though, the field is pretty well revealed. Considering what's been already released, and screenings achieved by our secret sources, ahead of the general population, confidence oozes as we declare for the best movies of 2013 - or, rather, the best movie! Some will suggest that the decision is made by the people. They have cast their ballots with the laying down of their hard earned money.
The winner in this category would appear to be Iron Man 3, which this morning Box Office Mojo had listed as pushing $410 million Shekels gross. This fact, I confess, blows my mind. Who would have predicted that the star of The Pick-Up Artist and Two Girls and a Guy, or the purveyor of Larry Paul from the Ally McBeal show, would wind up being the superhero star of a megabuck successful action franchise? Not I. That's almost as weird as Tobey Maguire being the superhero star of a megabuck successful action franchise. Almost as weird.
But, no, this is no democracy here at The Best Movies of 2013. We're going to evaluate on something more than merely bums in seats. It's quite possible that the best movie of the year actually was the delightful and intriguing Sound City. This documentary tells the story of one of the best kept secrets of both American rock and the San Fernando Valley. Tucked away discreetly amid rows of ramshackle warehouses, this extraordinary studio, on the strength of its technical excellence would win its way into a legendary place within the subculture of American pop and rock stars.
Those ranging from Fleetwood Mac to Neil Young, to Nirvana and Metallica made the trek to the studio so far off the beaten track. The film tells the story of the studio through the eyes of those whose music was so influenced by its contribution to the contemporary music sound. This is really a great movie experience. However, really, we're not going to be so namby-pamby as to name a doc best movie of the year. Come on, now.
No, rather, we're leading the charge, ahead of the curve, throwing down the gauntlet: declaring that soul scorching flick, Le Week-End as our the best movie of the year. Don't freak out, it's not some obtuse foreign film (that would be as bad as naming a doc best movie). The Frenchified title points to the film's location, in Paris. It's there that we find a British couple in the throes of marital ennui. They are fantastically portrayed by still astoundingly gorgeous Lindsay Duncan and the painfully dowdy Jim Broadbent.
I really don't want to say too much about the story and its exquisite dialogue. It's so full of nuanced and subtle cruelty that it really has to be experienced firsthand to be appreciated. I'll just say, if you enjoyed Richard Linklater's moving Before Sunset series, try to imagine the last days of Jesse and Celine's deteriorating relationship, when all the clever quips and observations have degenerated into passive aggressive jousting. This is really something special.
Special mention too has to be made of the wonderful supporting contribution of Jeff Goldblum. He's becoming a master of these colorful supporting roles later in his career. This still isn't up to the spooky, darkly menacing performance in Igby Goes Down, but it's still mighty fine. It is a performance for which the tall guy will long be remembered.
So, that's our story and we're sticking with it. There were some other really good movies in 2013, which have received a well deserved not. It is though Le Week-End, dark and brooding, funny and cruel, scorching the soul and maybe welling up just a tear or two, which is our pick for the very best movie of 2013. And, if you think we're wrong, well, tell us why.
About the Author:
See Mickey Jhonny's controversial piece on the reasons behind the success of Mad Men, at the Don Draper Haircut site.
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