If you are someone experienced with collecting good artwork, you know how fragile the pieces can be. Unless they are meticulously cared for, they can suffer serious and, sometimes, irreparable damage. Although restoring damaged work is possible, it is easier and less expensive to use simple measures to preserve their integrity. Professional conservators and restorers agree that understanding conservation can minimize the need for the kind of art restoration New Jersey artisans provide.
It's important to keep other materials from coming in contact with artwork created on paper. This includes gluing or taping a mat to the front of a watercolor or dry gouache piece. Mats should be hinged to back mats. The mat material itself needs to have an alkaline Ph or neutral content. Hanging artwork in areas where they are exposed to direct sunlight will eventually ruin them.
If you have to store art pieces, avoid basements and attics. Basements tend to be damp and can damage artworks beyond repair. In a wet atmosphere, they can get moldy and buckle. The mats may end up losing structural integrity in this kind of climate. Attics are often hot and dry. High temperatures can cause paper to contract and tear. A closet in the main area of the house is a better storage option.
A lot of the rules that apply to works on paper also apply to those on canvas. These will fade in direct sunlight, and must be framed carefully to avoid damage. These works should never be fixed to a frame in any way. Re-framing a painting is not usually a good idea. It may decrease the overall value, and your choice of framing may not be indicative of the artist's vision.
Unless a painting is carefully hung, it can fall and be easily damaged. Torn canvas can be repaired, but it may be difficult and costly. A good framer will attach wire to the back of the frame with d-rings. Cheaper, standard frames may have string, twine, or metal pieces, on the backing, meant to keep the work on a wall. These do not work as well as wire.
Textile piece collectors know that the threads in the fabric can be very fragile if they are not handled carefully and kept out of sunlight. Even if they are protected behind UV glass, strong light can do a lot of damage. It is never a good idea to store textiles in cedar chests or other wooden boxes. Coming into contact with any type of wood will cause staining.
Free standing artwork has its own set of issues. When they are in an area of high traffic, they may be knocked over and broken. Keeping them behind glass, or on a stand in a large room, is a better idea.
You may not have masterpieces, but good pieces of art are a financial investment. They need care to survive. Taking simple steps to preserve them is essential if you want future generations to enjoy them.
It's important to keep other materials from coming in contact with artwork created on paper. This includes gluing or taping a mat to the front of a watercolor or dry gouache piece. Mats should be hinged to back mats. The mat material itself needs to have an alkaline Ph or neutral content. Hanging artwork in areas where they are exposed to direct sunlight will eventually ruin them.
If you have to store art pieces, avoid basements and attics. Basements tend to be damp and can damage artworks beyond repair. In a wet atmosphere, they can get moldy and buckle. The mats may end up losing structural integrity in this kind of climate. Attics are often hot and dry. High temperatures can cause paper to contract and tear. A closet in the main area of the house is a better storage option.
A lot of the rules that apply to works on paper also apply to those on canvas. These will fade in direct sunlight, and must be framed carefully to avoid damage. These works should never be fixed to a frame in any way. Re-framing a painting is not usually a good idea. It may decrease the overall value, and your choice of framing may not be indicative of the artist's vision.
Unless a painting is carefully hung, it can fall and be easily damaged. Torn canvas can be repaired, but it may be difficult and costly. A good framer will attach wire to the back of the frame with d-rings. Cheaper, standard frames may have string, twine, or metal pieces, on the backing, meant to keep the work on a wall. These do not work as well as wire.
Textile piece collectors know that the threads in the fabric can be very fragile if they are not handled carefully and kept out of sunlight. Even if they are protected behind UV glass, strong light can do a lot of damage. It is never a good idea to store textiles in cedar chests or other wooden boxes. Coming into contact with any type of wood will cause staining.
Free standing artwork has its own set of issues. When they are in an area of high traffic, they may be knocked over and broken. Keeping them behind glass, or on a stand in a large room, is a better idea.
You may not have masterpieces, but good pieces of art are a financial investment. They need care to survive. Taking simple steps to preserve them is essential if you want future generations to enjoy them.
About the Author:
Find a list of the advantages you get when you use art restoration New Jersey services and more info about a reliable service provider at http://www.bythecpress.com today.
No comments:
Post a Comment