The art of Extra Sensory Perception is a rather ancient one. For, mentalists are performing artists with what appear to be special powers. In most cases, these are individuals whom have a keen sense of awareness and strong intuitive powers such as those now performing in NYC Mentalism Shows.
These types of shows can include a number of different areas of the supernatural. For example, a number include hypnosis, clairvoyance, telepathy, psychokinesis, mind control, mediumship, memory feats, rapid mathematics, deduction, precognition and divination. While some performers are considered to have psychic powers, this is not always the case. Whereas, there are also psychic readers and bizzarists which reside outside the realms of magic or mentalism.
Much of what mentalists perform on stage can be traced back to a number of tests conducted by mediums and others believed to have supernatural powers in the nineteenth century. The history of mentalism goes back to the days of the Old Testament. For, some say that scriptures in the Old Testament referring to prophecy are actually referring to mentalism.
Professional magicians and mentalists are generally considered some of the first stage performers in history. With the earliest performance art featuring magic and mentalism provided by Girolamo Scotto in the 1500s. While some suggest anyone can learn the art of mentalism, others attribute the skill to natural abilities such as the reading of minds and body language. In either case, mentalists and magicians have entertained and astounded crowds for centuries.
Derren Brown and other more contemporary performers often attribute these skills to natural abilities such as being able to read body language or use psychological suggestion and misdirection to create subliminal control. For contemporaries whom perform live in city squares and streets, audiences often become a part of the act. For, Derren Brown and others tend to make audiences aware that everything in the act is an illusion.
While some performers have no problem lying to a crowd that some aspects of magic are real, others tend to disagree. At the same time, magicians whom only reveal a portion of how a trick is created are drawing a thin line between a mentalist whom tries to make an audience believe an act is real. In either case, the real magic behind an act being performed is whether or not the audience can tell the difference between reality and theatrics.
Most mentalists shy away from using traditional magic tricks during a performance. For, doing so would associate mentalists with the theatrical trickery often performed by stage magicians and illusionists. In fact, a number of mentalists do not use the title magician at all. For, there are some whom insist that the art of mentalism is altogether a different art form.
The argument that mentalists invoke beliefs which if presented appropriately can appear as reality versus being endowed with psychic abilities is an interesting though complex one. For, while some mentalists may actually be endowed with these powers, there are still a number of skeptics. As a result, most mentalists who are psychic tend to play on the senses and perception of the audiences. Whereas, magicians often perform acts of illusion which can often seem as real as a mentalist providing a mind reading. As such, magicians and mentalists both use deception as a means of entertainment.
These types of shows can include a number of different areas of the supernatural. For example, a number include hypnosis, clairvoyance, telepathy, psychokinesis, mind control, mediumship, memory feats, rapid mathematics, deduction, precognition and divination. While some performers are considered to have psychic powers, this is not always the case. Whereas, there are also psychic readers and bizzarists which reside outside the realms of magic or mentalism.
Much of what mentalists perform on stage can be traced back to a number of tests conducted by mediums and others believed to have supernatural powers in the nineteenth century. The history of mentalism goes back to the days of the Old Testament. For, some say that scriptures in the Old Testament referring to prophecy are actually referring to mentalism.
Professional magicians and mentalists are generally considered some of the first stage performers in history. With the earliest performance art featuring magic and mentalism provided by Girolamo Scotto in the 1500s. While some suggest anyone can learn the art of mentalism, others attribute the skill to natural abilities such as the reading of minds and body language. In either case, mentalists and magicians have entertained and astounded crowds for centuries.
Derren Brown and other more contemporary performers often attribute these skills to natural abilities such as being able to read body language or use psychological suggestion and misdirection to create subliminal control. For contemporaries whom perform live in city squares and streets, audiences often become a part of the act. For, Derren Brown and others tend to make audiences aware that everything in the act is an illusion.
While some performers have no problem lying to a crowd that some aspects of magic are real, others tend to disagree. At the same time, magicians whom only reveal a portion of how a trick is created are drawing a thin line between a mentalist whom tries to make an audience believe an act is real. In either case, the real magic behind an act being performed is whether or not the audience can tell the difference between reality and theatrics.
Most mentalists shy away from using traditional magic tricks during a performance. For, doing so would associate mentalists with the theatrical trickery often performed by stage magicians and illusionists. In fact, a number of mentalists do not use the title magician at all. For, there are some whom insist that the art of mentalism is altogether a different art form.
The argument that mentalists invoke beliefs which if presented appropriately can appear as reality versus being endowed with psychic abilities is an interesting though complex one. For, while some mentalists may actually be endowed with these powers, there are still a number of skeptics. As a result, most mentalists who are psychic tend to play on the senses and perception of the audiences. Whereas, magicians often perform acts of illusion which can often seem as real as a mentalist providing a mind reading. As such, magicians and mentalists both use deception as a means of entertainment.
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