In the hierarchy of genres set up by the Academy, the most important genres are history painting, portraiture and genre painting. Still life and landscape art were considered less important, and still life is on the fifth, while landscape is on the fourth place. Even so, some of the most beautiful paintings ever painted emerged here, for example, Van Gogh's Sunflowers or his extraordinary landscapes made in different techniques.
Although there were some attempts before, still life art first emerged in the sixteenth century. This specific genre feature natural or man-made, inanimate objects. In Tate Museum Glossary, motifs are described as anything that doesn't move or is dead. When it comes to natural objects, there are usually flowers or food, while man-made objects include books, vases and similar things.
Although there is often some level of symbolism involved in this type of paintings, some famous painters, for example Cezanne, simply enjoyed playing with numerous possibilities this type of art allows. He was inspired by different shapes and colors. Arranging objects in space, he was able to express his thoughts and practice his technique.
The first recognized major work of Western still life is Caravaggio's basket of fruits. It was painted in 1596. During the early 1600s, this genre became popular in the Netherlands. These early works were mostly religious and symbolic. Floral motifs were especially prominent. Flowers were appreciated for their grace and fragrance, and paintings immortalized these values.
Banquet pictures, game pictures and vanities were also quite popular motifs. Background is usually neutral, tan colored or gray, while flowers, for example, are bright colored. They use silver and gold for details. It is interesting that in this period you will often found watches, skulls and other reminders of death as a main motif.
Landscape paintings usually depict mountains, rivers, sea, sky and grass, in one word, nature. Some pictures are really realistic, and some present idealized world. Impressionists often chose this genre, and there are numerous beautiful masterpieces you can see in museums. The most popular technique is oil, but numerous authors use water colors or pastels, or mixed media.
Although numerous examples of landscape art can be found all through the history, it became an independent genre in sixteenth century. This genre became more important in later periods. It is still popular today, but contemporary paintings of this type usually feature buildings, roads and similar, modern motifs.
Landscape had more important role in China, of course. In Western art, it was merely used as a background. Dutch and Flemish schools made a great difference in the seventeenth century in Europe. Some prominent artists, for example Vermeer, gave it more important role and it became finally respected and accepted as independent genre, as well as popular.
The most beautiful examples of landscape art were made in the nineteenth century, mostly in England and France. The most important artists in England were Constable and Turner. In France, there were several prominent artists such as Pissarro, Renoir and some other famous painters. Although you can maybe find people on their landscape pictures, the focus is always on the nature.
Although there were some attempts before, still life art first emerged in the sixteenth century. This specific genre feature natural or man-made, inanimate objects. In Tate Museum Glossary, motifs are described as anything that doesn't move or is dead. When it comes to natural objects, there are usually flowers or food, while man-made objects include books, vases and similar things.
Although there is often some level of symbolism involved in this type of paintings, some famous painters, for example Cezanne, simply enjoyed playing with numerous possibilities this type of art allows. He was inspired by different shapes and colors. Arranging objects in space, he was able to express his thoughts and practice his technique.
The first recognized major work of Western still life is Caravaggio's basket of fruits. It was painted in 1596. During the early 1600s, this genre became popular in the Netherlands. These early works were mostly religious and symbolic. Floral motifs were especially prominent. Flowers were appreciated for their grace and fragrance, and paintings immortalized these values.
Banquet pictures, game pictures and vanities were also quite popular motifs. Background is usually neutral, tan colored or gray, while flowers, for example, are bright colored. They use silver and gold for details. It is interesting that in this period you will often found watches, skulls and other reminders of death as a main motif.
Landscape paintings usually depict mountains, rivers, sea, sky and grass, in one word, nature. Some pictures are really realistic, and some present idealized world. Impressionists often chose this genre, and there are numerous beautiful masterpieces you can see in museums. The most popular technique is oil, but numerous authors use water colors or pastels, or mixed media.
Although numerous examples of landscape art can be found all through the history, it became an independent genre in sixteenth century. This genre became more important in later periods. It is still popular today, but contemporary paintings of this type usually feature buildings, roads and similar, modern motifs.
Landscape had more important role in China, of course. In Western art, it was merely used as a background. Dutch and Flemish schools made a great difference in the seventeenth century in Europe. Some prominent artists, for example Vermeer, gave it more important role and it became finally respected and accepted as independent genre, as well as popular.
The most beautiful examples of landscape art were made in the nineteenth century, mostly in England and France. The most important artists in England were Constable and Turner. In France, there were several prominent artists such as Pissarro, Renoir and some other famous painters. Although you can maybe find people on their landscape pictures, the focus is always on the nature.
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